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TONE3000 / MOST DOWNLOADED

Best Tones

The most-downloaded NAM captures and IRs on TONE3000, by category — A2 models, as of 2026-09-25. Each link opens the tone’s page on TONE3000 in a new tab.

NAM FX is not affiliated with TONE3000. Tones belong to their creators — download them on TONE3000 under each tone’s license (some are non-commercial). Gear and brand names are trademarks of their owners and only identify the captured gear. Rankings change; this list is a snapshot. To bring a download into the app, see How to Import.

AMP + CAB 30

Full-rig captures of amp and cabinet together. Use them without an IR.

  1. Silverface 4×10 combo — bright, glassy cleans.

  2. The classic metal pairing: a 5150 head into a Mesa 4×12.

  3. Blackface-style 1×12 clean: sparkly and touch-sensitive.

  4. A Deluxe Reverb captured by NAM’s own author, made for A2.

  5. Solid-state 2×12 clean — famously flat and crisp.

  6. British crunch through a V30-loaded 4×12.

  7. Blackface 4×10 set right where the clean starts to break up.

  8. All-tube bass rig: SVT head into a 6×10 cabinet.

  9. A hot-rodded 2203 with extra gain for rock and metal.

  10. The go-to studio clean of a Deluxe Reverb reissue.

  11. Late-’60s plexi-era roar.

  12. Modern hot-rod British gain — tight and aggressive.

  13. Three channels of a 5150 Stealth through an oversized 4×12.

  14. A signature 50 W metal head: tight, modern rhythm.

  15. Early Top Boost combo at the edge of breakup — chimey.

  16. Bluesbreaker combo crunch with Alnico speakers.

  17. A rare early EF86-channel combo: warm and vocal.

  18. ’90s Rectifier red channel: thick, saturated modern gain.

  19. The compact 20 W Studio Classic, as a full rig.

  20. Classic Top Boost chime and jangle.

  21. A signature modern-rock head.

  22. Multi-Watt Rectifier, red Modern channel, through its 4×12.

  23. Late-’90s boutique 2×12 combo with Class-A chime.

  24. A metalcore-ready pack: tight, heavy rhythm tones.

  25. Both the clean and the overdrive channel of a Deluxe Reverb II.

  26. Ultra-high gain for down-tuned metal.

  27. RR AC30 TB @RobyRocks

    Top Boost combo as a full rig.

  28. Saturated yet articulate metal crunch.

  29. Twin Reverb cleans, miked with a ribbon and a U67.

  30. Marshall 1959BJA @rjcproductions

    A 1959-series Super Lead: raw plexi crunch.

More on TONE3000 ↗

AMP HEAD 30

Amp-only captures. Add a cabinet IR after them.

  1. An EL34 high-gain head, re-amped. Add a cab IR.

  2. The 2203 head — the sound of ’80s British rock.

  3. Top Boost head section, high-accuracy training.

  4. A recent Dual Rectifier head: huge modern high gain.

  5. Overdrive Special: smooth, singing lead.

  6. A pack of Twin settings with big clean headroom.

  7. A boutique head from crunch to high gain.

  8. Every channel of the 5150III Ivory.

  9. A signature head for tight, focused lead and rhythm.

  10. Silverface Bassman 50 head: warm and round, great for blues.

  11. Clean-to-crunch versatility.

  12. Early JTM45: bluesy, loose and warm.

  13. Vox AC15 @mattgoings

    Smaller AC-series chime: sweet cleans, early breakup.

  14. A 6505+ across its high-gain range.

  15. A signature JCM800: thick, aggressive lead gain.

  16. The Jazz Chorus preamp: pristine solid-state clean.

  17. Compact British crunch with a thick midrange.

  18. Marshall 1959BJA @rjcproductions

    A 1959-series head: raw plexi crunch.

  19. A modular preamp head, high-accuracy training.

  20. An Uberschall settings pack: dense, heavy metal gain.

  21. Another popular 2203 head capture.

  22. A 50 W boutique head.

  23. AMPEG SVT-CL BASS HEAD @Deathblossomaudio

    SVT-CL bass head: classic rock-bass growl.

  24. Deluxe Reverb head section: clean to the edge of breakup.

  25. A pack of extreme-metal head settings.

  26. ’65 Deluxe Reverb head, high-accuracy training.

  27. The Mark IIC+: the tight lead tone of ’80s metal.

  28. Uberschall head: dense, low-tuned high gain.

  29. The 6505: a metal rhythm workhorse.

  30. A 5150 II head: modern metal gain.

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PEDAL 30

Drive and boost captures to put in front of an amp.

  1. Asymmetric overdrive — a classic boost in front of a high-gain amp.

  2. The mid-hump boost that tightens almost any amp.

  3. A modded TS9 for extra-tight metal boosts.

  4. Another popular TS9 capture.

  5. A signature overdrive: open and amp-like.

  6. Hard-clipping distortion with a fuzzy edge.

  7. A collection of classic overdrive pedals.

  8. A Klon-style transparent overdrive.

  9. A bass preamp/DI: grind and growl for bass.

  10. The original Tube Screamer circuit — smoother than the TS9.

  11. MXR ROCKMAN X100 @besttonecaptured

    Compressed, polished ’80s lead in a box.

  12. BOSS CE-2w @matteocapuni

    An analog chorus, captured.

  13. BOOST PEDAL PACK @Deathblossomaudio

    A pack of boost pedals for pushing amps.

  14. A library of boost settings.

  15. Touch-sensitive, amp-like blues overdrive.

  16. Amp-like overdrive with lots of gain on tap.

  17. JHS Morning Glory v3 @danielbernhardsson

    Bluesbreaker-style transparent overdrive.

  18. Modern bass distortion and preamp, full pack.

  19. The original Klon: clean boost with a touch of grit.

  20. Big Muff fuzz with the Tone Wicker switch: huge sustain.

  21. Op-amp Big Muff: harsher, ’90s alt-rock fuzz.

  22. A high-gain distortion pedal.

  23. JHS Morning Glory V4 @charlescranfill

    A newer Morning Glory: transparent and open.

  24. Bass preamp/drive with the cab sim inside the capture.

  25. Overdrive/distortion, both versions.

  26. A high-accuracy Rockman X100 capture.

  27. Ibanez TS9 Pedal @scottabaillie

    Another take on the TS9 boost.

  28. Reverb @ryanpatrickdaly

    A reverb pedal as NAM — NAM can’t hold long tails, so expect a limited effect.

  29. All nine Screamer voicings of the Bonsai.

  30. A budget Klon-style overdrive.

More on TONE3000 ↗

IR 30

Cabinet impulse responses (WAV) for the IR Loader.

  1. 1×12 Deluxe cabinet, pre-shaped to sit in a mix.

  2. Oversized 4×12: deep, tight low end.

  3. A 4×12 with Vintage 30s — the rock standard.

  4. A 4×12 V30 through an SM57.

  5. AC30 2×12, pre-shaped to sit in a mix.

  6. The 8×10 bass ‘fridge’.

  7. A 1960BV mixing V30 and G12T-75 speakers.

  8. Oversized 4×12 with several mic options.

  9. Twin Reverb 2×12 open-back.

  10. Oversized 4×12 with V30s.

  11. Greenback-loaded 1960TV with an M201.

  12. A heavy, tight IR aimed at brutal metal.

  13. Oversized 4×12 with several mics plus a stereo room.

  14. A 1960AV blended from three mics.

  15. A Rectifier-style V30 IR voiced for maximum weight.

  16. A standard slant 4×12 V30 pack.

  17. ’71 Twin with Oxford speakers: vintage American clean.

  18. A classic V30 4×12.

  19. A 4×12 with V30s: thick, woody mids.

  20. A custom 4×12 mixing G12T-75 and JBL speakers.

  21. A 1960 cabinet loaded with Fane speakers.

  22. IRs voiced after classic metal records.

  23. Greenback 1960TV through an SM57.

  24. A big pack of heavy IRs.

  25. A 4×12 V30 pack.

  26. The 1960 cab that pairs with a JCM800 lead.

  27. A 1960 4×12 with G12M Greenbacks.

  28. A grab-bag of rock, metal and punk IRs.

  29. Orange 2x12 V30 @romanrecords

    A compact 2×12 with V30s.

  30. A mix-ready IR set.

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